“Frida was often heard to say, ‘I look like a lot of people and a few things,’ as if everything that made up her personal appearance was a matter of chance. In fact, it was quite the opposite. Dressing each day was an almost ceremonial affair during which she would try innumerable combinations of blouses and skirts. Her clothes were always immaculately clean and freshly ironed; she was meticulous about the appearance of her pleated petticoats, pure white and starched. She wore native Mexican costumes long after her sophisticated friends had given up this nationalistic gesture, in part for the long skirts that hid her thin leg [from childhood polio] and orthopedic shoe [from a bus accident]….
Frida selected her jewelry each day with equal care, especially the rings she wore on the fingers of both hands. She meticulously applied her make-up and painted her fingernails, sometimes purple, green, or orange….Only a little over 5′ 2″ tall, she seemed taller bcause of the heightening effect of her long skirts, accentuated even more by her elegantly long neck and her upswept hairdo with bows and flowers arranged on top of her head. Her olive skin was covered with a light fuzz; her upper lip had a pronounced moustache, which she made obvious in her self-portraits. The heavy dark eyebrows that grew together across her forehead she turned into a trademark….
When she was finally finished dressing, she looked “like a princess, like an empress’….Scrupulously clean and heavily perfumed…” (1)
Frida was a heavy smoker and is often photographed holding a lit, unfiltered cigarette. She seldom smiled for the camera – with good reason. The few photos that have caught her laughing reveal blackened teeth.
(1) Zamora, Martha. Frida Kahlo: The Brush of Anguish. San Francisco: Chronicle Books, 1990.